Goodbye to the Future: The Last Days of the Nakagin Capsule Tower
Hugh Jackman could hardly fit into a Nakagin capsule, let alone perform a credible fight or love scene inside one…
Hugh Jackman could hardly fit into a Nakagin capsule, let alone perform a credible fight or love scene inside one…
Shoko Hashimoto’s face is a map of his life. It radiates intensity, strength, humour and boundless curiosity
“Old man, I’m begging you… let me carry on… until there’s nothing left of me but white ashes,..”
Strangely enough, it is the approach of the iconoclastic Terayama that seems more in tune with traditional Japanese aesthetics
A version by a guitar-strumming Zen priest has been viewed nearly 2 million times…
Japan handles political transitions with enviable speed and lack of drama
When reality collapses, imaginary worlds suddenly seem more dependable.
Yoko put on displays of “bagism” – the practice of writhing around in a giant bag – with her second husband, Tony Cox, on the roof of their apartment in Shibuya.
Yoko Ono was a trailblazer in the art of self-construction. Her profession has always been “being Yoko Ono.”
Mishima spent much of the time examining the hysterical response of young women in the audience, which he found mystifying.